Limonov: The Outrageous Adventures of the Radical Soviet Poet Who Became a Bum in New York, a Sensation in Fr
(eBook)

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Published
Farrar, Straus and Giroux, 2014.
Format
eBook
Language
English
ISBN
9780374709211

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APA Citation, 7th Edition (style guide)

Emmanuel Carrère., & Emmanuel Carrère|AUTHOR. (2014). Limonov: The Outrageous Adventures of the Radical Soviet Poet Who Became a Bum in New York, a Sensation in Fr . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Emmanuel Carrère and Emmanuel Carrère|AUTHOR. 2014. Limonov: The Outrageous Adventures of the Radical Soviet Poet Who Became a Bum in New York, a Sensation in Fr. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Emmanuel Carrère and Emmanuel Carrère|AUTHOR. Limonov: The Outrageous Adventures of the Radical Soviet Poet Who Became a Bum in New York, a Sensation in Fr Farrar, Straus and Giroux, 2014.

MLA Citation, 9th Edition (style guide)

Emmanuel Carrère, and Emmanuel Carrère|AUTHOR. Limonov: The Outrageous Adventures of the Radical Soviet Poet Who Became a Bum in New York, a Sensation in Fr Farrar, Straus and Giroux, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID732a65fc-c7d8-30ab-701f-0791d04946f0-eng
Full titlelimonov the outrageous adventures of the radical soviet poet who became a bum in new york a sensation in fr
Authorcarrère emmanuel
Grouping Categorybook
Last Update2024-05-15 02:00:47AM
Last Indexed2024-05-25 03:38:56AM

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Image Sourcehoopla
First LoadedAug 17, 2023
Last UsedMay 29, 2024

Hoopla Extract Information

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    [synopsis] => A thrilling page-turner that also happens to be the biography of one of Russia's most controversial figures

This is how Emmanuel Carrère, the magnetic journalist, novelist, filmmaker, and chameleon, describes his subject: "Limonov is not a fictional character. There. I know him. He has been a young punk in Ukraine, the idol of the Soviet underground; a bum, then a multimillionaire's butler in Manhattan; a fashionable writer in Paris; a lost soldier in the Balkans; and now, in the fantastic shambles of postcommunism, the elderly but charismatic leader of a party of young desperadoes. He sees himself as a hero; you might call him a scumbag: I suspend my judgment on the matter. It's a dangerous life, an ambiguous life: a real adventure novel. It is also, I believe, a life that says something. Not just about him, Limonov, not just about Russia, but about all our history since the end of the Second World War."

So Eduard Limonov isn't fictional-but he might as well be. This pseudobiography isn't a novel, but it reads like one: from Limonov's grim childhood to his desperate, comical, ultimately successful attempts to gain the respect of Russia's literary intellectual elite; to his immigration to New York, then to Paris; to his return to the motherland. Limonov could be read as a charming picaresque. But it could also be read as a troubling counternarrative of the second half of the twentieth century, one that reveals a violence, an anarchy, a brutality, that the stories we tell ourselves about progress tend to conceal.
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