Studies in French Cinema: UK perspectives, 1985-2010
(eBook)

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Published
Intellect Books Ltd, 2014.
Format
eBook
Language
English
ISBN
9781841504476

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2014). Studies in French Cinema: UK perspectives, 1985-2010 . Intellect Books Ltd.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2014. Studies in French Cinema: UK Perspectives, 1985-2010. Intellect Books Ltd.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. Studies in French Cinema: UK Perspectives, 1985-2010 Intellect Books Ltd, 2014.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. Studies in French Cinema: UK Perspectives, 1985-2010 Intellect Books Ltd, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDcd9f4de9-64d0-d661-359c-10fcf050a172-eng
Full titlestudies in french cinema uk perspectives 1985 2010
Authorauthors various
Grouping Categorybook
Last Update2024-03-01 19:00:24PM
Last Indexed2024-04-13 05:09:25AM

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First LoadedJul 23, 2023
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    [synopsis] => Studies in French Cinema looks at the development of French screen studies in the United Kingdom over the past twenty years and the ways in which innovative scholarship in the UK has helped shape the field in English and French speaking universities. This seminal text is also a tribute to six key figures within the field who have been leaders in research and teaching of French cinema: Jill Forbes, Susan Hayward, Phil Powrie, Keith Reader, Carrie Tarr, and Ginette Vincendeau.

Coinciding with the tenth anniversary of the celebrated Intellect journal of the same title and covering a wide range of key films—contemporary and historical, popular and auteur—the volume provides an invaluable overview of the state of French cinema and French film studies at the beginning of the twenty-first century.
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