Dimensions of Aesthetic Encounters: Perception, Interpretation, and the Signs of Art
(eBook)

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Published
State University of New York Press, 2022.
Format
eBook
Language
English
ISBN
9781438488264

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APA Citation, 7th Edition (style guide)

Robert E. Innis., & Robert E. Innis|AUTHOR. (2022). Dimensions of Aesthetic Encounters: Perception, Interpretation, and the Signs of Art . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert E. Innis and Robert E. Innis|AUTHOR. 2022. Dimensions of Aesthetic Encounters: Perception, Interpretation, and the Signs of Art. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert E. Innis and Robert E. Innis|AUTHOR. Dimensions of Aesthetic Encounters: Perception, Interpretation, and the Signs of Art State University of New York Press, 2022.

MLA Citation, 9th Edition (style guide)

Robert E. Innis, and Robert E. Innis|AUTHOR. Dimensions of Aesthetic Encounters: Perception, Interpretation, and the Signs of Art State University of New York Press, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID73ae1fcb-fc64-5301-3df2-4f39957eece1-eng
Full titledimensions of aesthetic encounters perception interpretation and the signs of art
Authorinnis robert e
Grouping Categorybook
Last Update2023-09-05 20:02:25PM
Last Indexed2024-04-27 03:45:20AM

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    [synopsis] => We encounter in our lives things and situations that elicit from us special forms of attention. They affect and inform us in various ways, drawing us in and holding us in their grasp or turning us away. Works of art of all sorts, and nature in its myriad manifestations, exemplify these luring and repelling qualities and potencies. Dimensions of Aesthetic Encounters explores central perceptual, interpretative, and semiotic dimensions of these encounters, combining a wide range of examples and intellectual resources from pragmatist, hermeneutical, and semiotic frameworks. Practicing a kind of "method of rotation" Robert E. Innis breaks down barriers in aesthetic theory and shows their complementary powers. Recurring themes link each chapter, throwing a powerful light on aesthetic encounters by foregrounding such pivotal notions as play, fundedness and the role of memory, the defining quality of an artwork, energies of objects, potencies, rhythm, form, presentational abstraction, medium, symbolization, intuition, role of the body, and the non-argumentative nature of art.
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