Who Will Pay Reparations on My Soul?
(eAudiobook)

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Published
HighBridge, 2021.
Physical Description
12h 6m 0s
Format
eAudiobook
Language
English
ISBN
9781696604659

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Citations

APA Citation, 7th Edition (style guide)

Jesse McCarthy., Jesse McCarthy|AUTHOR., & David Sadzin|READER. (2021). Who Will Pay Reparations on My Soul? . HighBridge.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jesse McCarthy, Jesse McCarthy|AUTHOR and David Sadzin|READER. 2021. Who Will Pay Reparations On My Soul?. HighBridge.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jesse McCarthy, Jesse McCarthy|AUTHOR and David Sadzin|READER. Who Will Pay Reparations On My Soul? HighBridge, 2021.

MLA Citation, 9th Edition (style guide)

Jesse McCarthy, Jesse McCarthy|AUTHOR, and David Sadzin|READER. Who Will Pay Reparations On My Soul? HighBridge, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc1c54c6c-6431-1271-5049-911f140e132b-eng
Full titlewho will pay reparations on my soul
Authormccarthy jesse
Grouping Categorybook
Last Update2023-12-01 19:55:06PM
Last Indexed2024-03-27 04:23:57AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 20, 2023
Last UsedDec 6, 2023

Hoopla Extract Information

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    [synopsis] => Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making." Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis.

McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In "Notes on Trap," he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music. In "Back in the Day," McCarthy evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In "The Master's Tools," the relationship between Spanish painter Diego Velázquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley's paintings are viewed, while "To Make a Poet Black" explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters, and, in his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality.
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