Merleau-Ponty and Nishida: Artistic Expression as Motor-Perceptual Faith
(eBook)

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Published
State University of New York Press, 2019.
Format
eBook
Language
English
ISBN
9781438476131

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APA Citation, 7th Edition (style guide)

Adam Loughnane., & Adam Loughnane|AUTHOR. (2019). Merleau-Ponty and Nishida: Artistic Expression as Motor-Perceptual Faith . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Adam Loughnane and Adam Loughnane|AUTHOR. 2019. Merleau-Ponty and Nishida: Artistic Expression As Motor-Perceptual Faith. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Adam Loughnane and Adam Loughnane|AUTHOR. Merleau-Ponty and Nishida: Artistic Expression As Motor-Perceptual Faith State University of New York Press, 2019.

MLA Citation, 9th Edition (style guide)

Adam Loughnane, and Adam Loughnane|AUTHOR. Merleau-Ponty and Nishida: Artistic Expression As Motor-Perceptual Faith State University of New York Press, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID9d55a05a-b818-7e7d-c3b9-060bd7d27c34-eng
Full titlemerleau ponty and nishida artistic expression as motor perceptual faith
Authorloughnane adam
Grouping Categorybook
Last Update2024-05-15 02:00:47AM
Last Indexed2024-05-18 04:28:45AM

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    [synopsis] => Places the phenomenologies of Merleau-Ponty and Nishida in dialogue and uncovers a demand for a motor-perceptual form of faith in both philosophers' meditations on artistic expression.

In Merleau-Ponty and Nishida, Adam Loughnane initiates a fascinating new dialogue between two of the twentieth century's most important phenomenologists of the Eastern and Western philosophical worlds. Throughout the book, the reader is guided among the intricacies and innovations of Merleau-Ponty's and Nishida's ontological approaches to artistic expression with a focused look at a rarely explored connection between faith and negation in their philosophies. Exploring the intertwining of these concepts in their broader ontologies invokes a reappraisal of the ambiguous status of religion and art in the writings of both thinkers. Measuring these ambiguities, the ontologies of Flesh and Basho are read in-depth alongside great artworks and the motor-perceptual practices of seminal landscape artists such as Cézanne, Sesshū, Taiga, and Hasegawa, as well as other major figures of European, Chinese, and Japanese art history. Loughnane studies these artists' bodily practices, focusing on the intimate relations realized with the landscapes they paint, and illuminating a valence of their expressive disciplines as a motor-perceptual form of faith. Merleau-Ponty and Nishida is an exciting intercultural reading, expanding two philosophers' projects toward new horizons of research, revealing incitements in their writings that challenge unambiguous distinctions between art, philosophy, faith, and ultimately philosophy East and West.
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