Art 21: Art in the Twenty-First Century - Season 4: Ecology
(eVideo)

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Published
PBS, 2007.
Physical Description
1h 0m 0s
Format
eVideo
Language
English

Citations

APA Citation, 7th Edition (style guide)

Catherine Tatge., & Catherine Tatge|DIRECTOR. (2007). Art 21: Art in the Twenty-First Century - Season 4: Ecology . PBS.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Catherine Tatge and Catherine Tatge|DIRECTOR. 2007. Art 21: Art in the Twenty-First Century - Season 4: Ecology. PBS.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Catherine Tatge and Catherine Tatge|DIRECTOR. Art 21: Art in the Twenty-First Century - Season 4: Ecology PBS, 2007.

MLA Citation, 9th Edition (style guide)

Catherine Tatge, and Catherine Tatge|DIRECTOR. Art 21: Art in the Twenty-First Century - Season 4: Ecology PBS, 2007.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID06d5bd63-0d49-ff11-6f1a-1b6c6507c539-eng
Full titleart 21 art in the twenty first century season 4 ecology
Authortatge catherine
Grouping Categorymovie
Last Update2023-09-19 20:43:39PM
Last Indexed2024-04-17 02:07:23AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 21, 2023
Last UsedJul 21, 2023

Hoopla Extract Information

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    [synopsis] => This program introduces viewers to four artists whose works pose questions about the relationships between nature and culture. Ursula von Rydingsvard works primarily with cedar to create large-scale structures. Drawing from her childhood memories of growing up in WWII Polish refugee camps, she creates massive wooden sculptures, which often resemble bowls, tools and walls, and echo the raw, wooden barracks in which her family was forced to live. Iñigo Manglano-Ovalle's technologically sophisticated sculptures and video installations employ natural forms such as clouds and icebergs, as well as objects including an umbrella and bullfight ring, as metaphors for understanding difficult social issues, from immigration and gun violence to human cloning. For photographer Robert Adams, inspiration comes from the American West. Through his compelling black-and-white images, he documents scenes and landscapes - from a stripped forest to a sprawling suburban neighborhood - that are beautiful yet disturbing and strike a balance between sober documentation and somber indignation. Mark Dion lives amongst "the world of stuff," collecting materials from flea markets and yard sales for his installations and public projects - many of which explore our ideas and assumptions about nature. Inspired and intrigued by scientists, natural history museums and laboratory procedures, Dion's works include an elaborate vivarium in Seattle for which he constructed a greenhouse to protect and keep alive a fallen tree and its surroundings - a tribute to and appreciation for the complexities of our natural system.
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