Art 21: Art in the Twenty-First Century - Season 4: Paradox
(eVideo)

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Published
PBS, 2007.
Physical Description
1h 0m 0s
Format
eVideo
Language
English

Citations

APA Citation, 7th Edition (style guide)

Charles Atlas., & Charles Atlas|DIRECTOR. (2007). Art 21: Art in the Twenty-First Century - Season 4: Paradox . PBS.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Charles Atlas and Charles Atlas|DIRECTOR. 2007. Art 21: Art in the Twenty-First Century - Season 4: Paradox. PBS.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Charles Atlas and Charles Atlas|DIRECTOR. Art 21: Art in the Twenty-First Century - Season 4: Paradox PBS, 2007.

MLA Citation, 9th Edition (style guide)

Charles Atlas, and Charles Atlas|DIRECTOR. Art 21: Art in the Twenty-First Century - Season 4: Paradox PBS, 2007.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID07468529-c4a7-2d4c-a2a5-83c19bc56e44-eng
Full titleart 21 art in the twenty first century season 4 paradox
Authoratlas charles
Grouping Categorymovie
Last Update2023-09-13 20:02:33PM
Last Indexed2024-03-29 02:08:35AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 21, 2023
Last UsedJul 21, 2023

Hoopla Extract Information

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    [synopsis] => The final episode of the series showcases five artists who, through uniquely different styles of work, address and respond to contradiction, conflict and ambiguity and examine the relationship between mystery and meaning in art. Collaborators Jennifer Allora and Guillermo Calzadilla draw inspiration from their belief that art can function as a catalyst for social change, and their works - which include sculpture, video documentation and public installations - often solicit active participation and critical responses from their viewers. They approach visual art as a set of experiments that test whether concepts such as authorship, nationality, borders and democracy adequately describe today's increasingly global society. Influenced by the work of artists such as Mark Rothko and his own love of jazz and bebop, Robert Ryman is well-known for his work with white paint on square forms, which reveals the nuances of the surface. His paintings, characterized by their subtlety, emphasize the role that perception and context play in creating an aesthetic experience. Mark Bradford uses signage and advertisements scavenged from the street to create wall-sized collages that respond to the impromptu networks, such as underground economies, immigrant communities or abandoned public spaces, that emerge within a city. In his films, Bradford captures and documents the cultural, political and racial conditions of an urban environment. Catherine Sullivan's anxiety-inducing films and live performances reveal the degree to which everyday gestures and emotional states are scripted and performed, questioning the border between innate and learned behavior.
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